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Evan Trine’s photographic practice presents new perspectives on the familiar. Though formally varied, his projects frequently manipulate the roles of individual elements so that the formal, conceptual and technical aspects of photography are transferred, or translocated to the final object. By eschewing traditional darkroom chemistry for digital processes, his work is directly linked to the software and digital tools used to create it. Trine’s methodology broadens his interest in aspects of process, language, and materiality, regularly incorporating the use of common references as source material to investigate object relations. Content, ranging from old family photographs, newspaper headlines, portraits of friends, and images of second-rate paintings –are manipulated by computer to create the most condensed, simplified, essential version of that visual data.

Evan Trine

Evan Trine
Editor's Choice, 2016
Unique archival pigment print
86 x 50 in (218.4 x 127.0 cm)

Evan Trine

Evan Trine
Veggie, 2016
Unique archival pigment print
38 x 74 in (96.5 x 188.0 cm)

Evan Trine

Evan Trine
Amazing Grace SUV, 2016
Unique archival pigment print
62 x 32 in (157.5 x 81.3 cm)

Evan Trine

Evan Trine
Former, 2015
Unique archival pigment print
44 x 44 in (111.8 x 111.8 cm)

Evan Trine

Evan Trine
Mountains, 2015
Unique archival pigment print
30 x 22 in (76.2 x 55.9 cm)

Evan Trine

Evan Trine
Coal, 2016
Unique archival pigment print
30 x 30 in (76.2 x 76.2 cm)

Evan Trine

Evan Trine
By, 2015
Unique archival pigment print
60 x 52 in (152.4 x 132.1 cm)

Evan Trine

Evan Trine
Collapses, 2015
Unique archival pigment print
78 x 60 in (198.1 x 152.4 cm)

Evan Trine

Evan Trine
Off, 2015
Unique archival pigment print
25 x 20 in (63.5 x 50.8 cm)

Evan Trine

Evan Trine
Festival, 2015
Unique archival pigment print
26 x 20 in (66.0 x 50.8 cm)

Evan Trine

Evan Trine
Twinkie, 2015
Unique archival pigment print
28 x 25 in (71.1 x 63.5 cm)