Flaunt
Egan Frantz
November 6, 2012
By Matthew Bedard
“Say what you see,” encourages artist Egan Frantz, but do so cautiously. See, when exactingly stringing new language theorems about a gallery space via the metaphysics of objects in beautiful stasis, or repetition—in this case erect baguettes, say, or previously drunk, bucket-submerged bottles of Champers—remember this: “In discourse, we must be like vipers.” So Frantz shares regards verbal dissection of his creations, while pacing his latest installation at Culver City’s Roberts & Tilton gallery, amidst the constant sound of bubbles his cuvees send surface-ward. His position is indeed a viperous one—the works, in their thoughtful serialization, develop a kind of rigorous, exploratory ethics, a language in and of themselves.
Interview Magazine
Discovery: Egan Frantz
September 19, 2012
By Maxwell Williams
Egan Frantz describes his latest work for “Room Temperature,” his solo show at Roberts & Tilton, Los Angeles, which opens Nov. 3: a system of seven buckets, each with their own fish tank aeration system and filled with empty champagne bottles. “The show that these buckets will be appearing in,” says Frantz, laughing into the phone from his Brooklyn studio, “I didn’t go out planning this, but all the materials—bubbles, baguettes, buckets, bottles, and the list goes on—everything begins with a B.”