Text by Jeremy Gilbert-Rolfe. Edited by Camille Mary Weiner.
Throughout the last 30 years, Los Angeles–based painter James Hayward’s (born 1943) practice has focused exclusively on the monochrome, developing from flatter works into thicker, impasto abstractions. This monograph compiles Hayward’s most recent monochromatic paintings, exploring their sculptural peaks and fissures.
Published by Roberts & Tilton, Culver City, California, 2016
Format: Hardcover, 8.75 x 11.5 inches / 72 pages / 33 color images / 1 bw image
Distributed by D.A.P.