Known for his surreal paintings of soft figures caught in moments of contemplation, Lenz Geerk’s new series The Table Portraits raises questions about possession, distance, observation, and the participation of one’s own image. Geerk creates psychologically charged paintings that are removed from any specific time or place. Emphasizing his subjects in such a way as to draw out the hidden emotions of the human psyche, Geerk depicts people at the threshold of excitation and in the throes of exploration. With postures and gestures a fiction of representation, Geerk imagines how a certain fragile moment, derived from neither model nor photograph, can instead be expressed through atmosphere and body language. The nearly monochromatic palettes, only occasionally warmed by other colors, adds to the aura of emotional tension.