By Maria Vogel

In Otis Kwame Kye Quaicoe's most recent body of work, figures engage in one of the most physically taxing activities available–boxing. For Quaicoe's birthplace of Accra, Ghana, the sport symbolizes much more than its renowned physicality; It’s a commonly walked upon path whose success can be the very thing that provides expulsion from the cycles of poverty present in Ghanian villages. Following his own trajectory that took him away from Accra, the artist now resides in Portland, Oregon, a place where his recommendations of favorite haunts take on a much more relaxed stance than his latest paintings.

Gana Art is set to host the first solo exhibition of Otis Kwame Kye Quaicoe in Asia, titled Embodiment. Born and raised in Ghana, Quaicoe graduated from Ghanatta College of Art and Design for Fine Art and moved to Oregon in 2017 where he actively participated in institutional exhibitions including the Rubell Museum (Miami, FL), Portland Art Museum (Portland, OR) and Museo Picasso Malaga (Malaga, Spain). Also appeared on the cover of Teen Vogue and Vanity Fair, his work is in the permanent collection of the Vanhaerents Art Collection in Brussels, the Denver Art Museum and other major venues.

Accra! The Rise of a Global Art Community showcases the work of 18 artists who have deep connections to Accra, Ghana and their impact on global art discourse. Portraits, abstraction, textiles, works on papers and sculpture explore cultural identities, political histories, mythology, trauma and healing.

The exhibition Cowboy will bring together loans and new commissions from 27 artists representing a wide range of perspectives including Asian American artists, Latinx artists, and Native artists. The exhibition aims to shift the narrative of this figure’s cultural power and significance to be both historically accurate and creatively imaginative. 

Featuring more than 100 works drawn primarily from the permanent collection of the Los Angeles County Museum of Art, the exhibition spans more than two centuries and includes nineteenth-century studio photography; portraits from the Harlem Renaissance; images from the Civil Rights, Black Power, and Black Lives Matter eras; pictures of Black celebrities and political figures; and artists’ self-portraits.

Phoenix Art Museum will present renowned artist Otis Kwame Kye Quaicoe and curator Larry Ossei-Mensah in conversation during the Museum’s spring Lenhardt Lecture, a key component of the Dawn and David Lenhardt Contemporary Art Initiative. Coinciding with the program at PhxArt, the Museum has acquired Quaicoe’s portrait Profile of Larry Ossei (2022), which will be on view this spring in the Museum’s Katz Wing for Modern Art and is the fifth work acquired by the Museum through the Lenhardt Contemporary Art Initiative.

Published by Chronicle Books and edited by Osei Bonsu, this deluxe hardcover survey, featuring profiles of 50 artists on the rise, is the definitive guide to contemporary African art. Artists include Amoako Boafo, Otis Kwame Kye Quaicoe, Njideka Akunyili Crosby, Tunji Adeniyi-Jones, Bronwyn Katz—from household names to up-and-coming artists, African Art Now features some of the most exciting artists working today.

Spanning over two centuries from around 1800 to the present day, Black American Portraits chronicles the ways in which Black Americans have used portraiture to envision themselves in their own eyes.

Inheritance, an exhibition of photography by Ivan McClellan and paintings by Otis Kwame Kye Quaicoe, foregrounds Black agricultural workers and teases out the cyclical nature of knowing, learning, and harvesting amongst these communities.

In Our Time: Selections from the Singer Collection includes a selection of paintings and works on paper collected by Iris and Adam Singer over the span of 16 years. Anchored by the work of 27 contemporary artists living and working in cities such as London, Beijing, New York, New Haven, Los Angeles, Accra, and Nairobi, In Our Time speaks to the immediacy of this moment on a global scale, as well as the key ideas, narratives, and concerns that artists have been exploring over the past 25 years.

Zeitz MOCAA presents an exhibition that explores Black self-representation through portraiture and figuration in painting. Titled When We See Us, this timely exhibition celebrates global Black subjectivities and Black consciousness from pan-African and pan-diasporic perspectives.

Since Otis Quaicoe’s move from Accra, Ghana, to Portland in 2017, his figural paintings have adjusted and shifted in congruence with a heightened cultural awareness of his relocated body. As he looked at Blackness and race in American society from the perspective of an African immigrant, Quaicoe became more interested in depicting the nuances of skin tone that emerge in velvety grayscale. 

Outriders: Legacy of the Black Cowboy is an exercise in unearthing images of the drivers, fiddlers, cowpunchers, cattle rustlers, cooks, singers, bulldoggers, and broncobusters with African heritage.

Amoako Boafo and Otis Kwame Kye Quaicoe are featured in a new exhibition wing dedicated to contemporary African artists at the Palm Spring Art Museum. Also on view are artists including Serge Clottey, Adeji Taiwah, and Simphiwe Ndzube, among others.

Janine Sherman Barrois and Lyndon Barrois Sr. are the kinds of neighbors and friends any art lover would want to have. Last November, the Los Angeles–based couple welcomed guests to their home to celebrate the opening of two LACMA exhibitions: “Black American Portraits” and the L.A. stop of the Obama portraits tour. Donors, notable collectors, curators, museum directors, and the exhibition’s esteemed artists—many of whom are featured in the couple’s collection—were among the invited guests.

The untimely death of Virgil Abloh, a multi-hyphenate who changed fashion as artistic director of Louis Vuitton’s menswear while also leading his own brand, Off-White, was felt in the hearts of many this past November. The newest person to pay homage to Abloh’s rich legacy is the young painter Otis Kwame Kye Quaicoe, whose portrait of Abloh now appears on the cover of a newly released special issue of Teen Vogue.

Featuring Wangari Mathenge, Otis Kwame Kye Quiacoe, Betye Saar and Kehinde Wiley.

To complement the presentation of The Obama Portraits by Kehinde Wiley and Amy Sherald on tour from the Smithsonian’s National Portrait Gallery (NPG), LACMA presents Black American Portraits. Remembering Two Centuries of Black American Art, guest curated by David Driskell at LACMA 45 years ago, this exhibition reframes portraiture to center Black American subjects, sitters, and spaces.

Otis Kwame Kye Quaicoe, a Ghanaian painter, is one of the Rubell Museum’s 2021 Artists-in-Residence. Quaicoe creates empowering lush portraits of his family and friends where color and texture functions as a unique language to represent the character of the subject. During his time at the Rubell Museum, Quaicoe explored the phenomenon of twin births through double portraiture, on view in this exhibition.

For this landmark exhibition, Wiley has invited a selection of contemporary African artists living throughout the world to each produce a self-portrait. Together these portraits will present a new exploration of identity, perception, and self-regard within the global stage through the lens of figuration, exploring notions of perspective, authorship and control within acts of expression that directly address the self. All proceeds benefit Black Rock Senegal, a multidisciplinary artist-in-residence program founded by Kehinde Wiley in Dakar, Senegal. Self-Addressed will open at Jeffrey Deitch gallery in Los Angeles on November 6, 2021.

What we see is political. Taking up space is resistance. Walking through the gallery space hung with pictures, museum-goers act out and internalise a version of history… what happens when this space is infiltrated by those history has sought to exclude? With Black Bodies, White Spaces: Invisibility and Hypervisibility we see the coming together of artists exploring the Black Body in painting and posit how doing so is a form of resistance.

By Emily Steer for Elephant

Otis Kwame Kye Quaicoe’s Self-Portrait (2019) features on the cover of Elephant’s brand-new Spring/Summer 2021 issue. It is a powerful image, depicting the Ghanaian artist locked in an intense gaze with the viewer, against a brilliant yellow background. This potent and very direct eye contact threads through many of Quaicoe’s paintings, of both himself and others.

By Tom Seymour for Artnet

The artist reflects on life in America and Ghana's failure to recognize its homegrown scene. Otis Kwame Kye Quaicoe never thought he’d leave Accra. But then life happened. He fell in love, eloped, and moved from his native Ghana to Portland, Oregon, in 2017.

Otis Kwame Kye Quaicoe: Black Cowboy takes as its subject the lesser-known history of Black cowboys of the American Frontier as seen through lens of contemporary portraiture. Quaicoe, a Ghanian painter living in Portland, Oregon, utilizes color to accentuate his subjects’ themes of empowerment while embracing ideas of personal narrative. His portraits of Black cowboys modernize the genre without continuing a popular yet inaccurate and exclusionary account of US history.

Interview by Shaquille Heath for Juxtapoz

Otis Kwame Kye Quaicoe wants you to feel seen. And I mean that sincerely. It is at the heart of what he does. In every brushstroke, every flower, every mouth covered and eyeball exposed. He is methodical. A powerful narrator, he documents Black life by painting subject’s likeness, enriched with flourishes from his personal memory bank. It is almost historical fiction, yet his instincts are spot on. 

Amref Health Africa ArtBall is a premier contemporary African, Pan-African, and Black art auction to benefit Amref Health Africa’s COVID-19 mitigation work on the ground in Kenya, Uganda, Ethiopia, Tanzania, South Sudan, Senegal, Zambia, Malawi, and South Africa. Pillars of this work consist of training health workers, providing access to clean water and proper sanitation, testing and laboratory strengthening, and mitigating secondary impacts. Amref Health Africa is the largest African-based NGO in the world with over 100 health-centered programs across 35 countries in sub-Saharan Africa, reaching over nine million people per year.

By Terence Trouillot for Artsy

On a hot summer day this year, I was relieved to speak to the Ghanaian artist Otis Kwame Kye Quaicoe over the phone and not through a screen. Sure, it would have been nice to see him face-to-face, but there was something quite familiar and soothing to just hear (and focus on) the timbre and natural joy in his voice—his friendly disposition signaled by the cadence in his speech. I asked him how he was doing amid the protests and forest fires in Portland, Oregon, where he lives and works. He told me solemnly, “I come to the studio to shut the world out.”

By Kate Caruso for Artillery

When I talk with Otis Kwame Kye Quaicoe, his smiling face lights up the video conference window as he speaks of joy.  He hopes to bring joy to the subjects of his portraits, and to those that view them.  Picking up the range of tonality in Blackness, his portraits demand attention with a quiet yet confrontational gaze.  He talks a lot about empowerment which is registered in the stately and real postures of his sitters, who apperar before us like subjects in court portraiture.

Museum of the African Diaspora + Artsy are thrilled to present MoAD: Diaspora Unite! Artists of African Descent Benefit Auction 2020 featuring works from some of the more important artists of African descent around the globe. In creating an expansive, yet focused auction representing the infinite iterations of the African diaspora, MoAD brings together artists who have close ties to the museum in support of their mission as they continue the significant work done by the museum over the last 15 years since they’ve opened their doors to the public. This auction will provide critical funding to account for the loss of revenues due to COVID-19 as MoAD makes every effort to open their doors once again.